Sunday, December 12, 2010
It's beginning to look a lot like Catclaw. As snow piles up outside my window, I've been encamped at home putting together the first draft of Son of Grimaldi, which is finally taking shape through the misty muse of Duvel.
As I predicted earlier, the story bears about as much resemblance to historical fact as Toulouse-inations did to the life of Toulouse-Lautrec. Using as its starting point the tension between the elder Grimaldi and his son (who is expected to carry on his father's craft), we veer into such tangential matters as British secret societies, clairvoyance, guardian angels, nudity, quantum physics (no, really!) and Santa Claus.
- Jeffrey Scott Holland, Catclaw Theatre Company artistic director, 12/11/2010.